Veins
2024
Encaustic on paper
68 x 40
Tremendous Years
2024
Encaustic on paper
70 x 40 inches
Mineral Memory
2024
Encaustic on paper
72 x 40 inches
Jumble
2024
Encaustic on paper
72 x 40 inches
Euribia
2017
Encaustic on paper
69 x 40 inches
Gaining Ground
2019
Encaustic on paper
72 x 44 inches
Cliff Diver
2024
Encaustic on paper
68 x 44 inches
Dance of the Water
2024
Encaustic on mulberry paper
40 x 70
Rushes
2024
Encaustic on kozo
35.5 x 25.5
Hold
2023
Encaustic on mulberry paper
39 x 70 inches
Storm Cloud
2024
Encaustic on kozo
35.5 x 25.5
Rocker
2024
Encaustic on kozo
35.5 x 25.5
Ripple Effect
2024
Encaustic on kozo
35.5 x 25.5
Flood Zone
2024
Encaustic on kozo
35.5 x 25.5
Eroding Support
2024
Encaustic on kozo
35.5 x 25.5
Cross Current
2024
Encaustic on kozo
35.5 x 25.5
Cave Diving
2024
Encaustic on kozo
35.5 x 25.5
Stream
2022/2023
Encaustic on washi (scrolls) | Sumi ink on paper (framed on flanking walls)
Stream, detail
Stream, detail
Stream, detail
Stream, detail
Going Nowhere
2023
Encaustic on paper
35.5 x 25.5
More Ways to Branch
2023
Encaustic on paper
35.5 x 25.5
Talking to Rocks 27
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 28
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 9
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 6
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 8
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 2
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 13
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 21
2021
Encaustic on paper
35.5 x 25.5
Talking to Rocks 5
2021
Encaustic on paper
35.5 x 25.5
Ex Uno Plures, 5
2020
Encaustic monotype on Kozo
35.5 x 25.5
Ex Uno Plures, 9
2020
Encaustic monotype on Kozo
35.5 x 25.5
Ex Uno Plures, 11
2020
Encaustic monotype on Kozo
35.5 x 25.5
Ex Uno Plures, 14
2020
Encaustic monotype on Kozo
35.5 x 25.5

These encaustic works on paper began as a by-project of my sculptural work, but these days they really go hand in hand. Created in tandem, the paper picks up what has been eroded away from the form, balancing between building up one and diminishing the other, I carefully off-set the trails and spillways left behind onto paper as another way of capturing time. Like thin sections in optical mineralogy, they are the thinnest possible slivers of my work.